Motion Paintings

I paint with error. I start from a single image, raw pixels, or video. Glitch is my brush. I smear and layer the image, then break it apart until it gains texture and the illusion of depth on a flat screen. Like paint, the image is built up in layers and dragged across itself. The difference is that the surface is in motion.

I deliberately corrupt image data and bend colors. I push visual effects mixers and image processors to their limits. The results are never fully predictable. Much of the work is in choosing which accidents to keep, which to push further, and which to let go of.

I’ve been developing this process since 2022, when I first began experimenting with pixel sorting. A single piece can take days, weeks, or even years of working and reworking. I keep testing new combinations and sequences, and I often return to older pieces to remix and reimagine them. The paintings change as I do.